The latest study, published the journal Antiquity, has not only refined just how old we think the eerie idol is, but could also hint at what they may have been using the statue for.
The idol was actually first uncovered in 1894, buried under 4 meters (13 feet) of peat in the bog of Shigir, which gives the statute its common name: the Shigir Idol. Uncovered in sections, it was finally pieced together in 1914, revealing that it would once have stood an impressive 5.3 meters (17 feet) tall, although not all of the pieces of the statue survived.
Yet it was not until a hundred years later that advances in technology allowed researchers to finally test the incredible piece of art, and gain an estimate of just how old it is. By radiocarbon dating two sections of the idol, they determined that it was about 9,800 years old. At the time this was extraordinary, and many academics rejected this finding as being impossibly old for a wooden object.
Radiocarbon dating back then, however, was clunky and not particularly precise. Coupled with the fact that the first tests sampled just two bits of the Shigir Idol, researchers wanted to re-examine the statue. They took cores of the wood to make sure that they were uncontaminated over the last century.
Using modern techniques, they have revealed that the idol was carved from a single larch wood log some 11,600 years ago. This is over twice as old as the pyramids in Egypt, and the oldest wooden artwork known to survive.
This is clearly an incredible discovery, but it has wider implications for the development of monumental art pieces by early humans transitioning out of the Ice Age. What is interesting is that the style and imagery of the Shigir Idol is incredibly similar to other grand Ice Age statutes uncovered at Göbekli Tepe in Turkey. The only thing that is dramatically different is the material in which the statues were crafted.
This suggests that the culture of producing these huge, symbolic and presumably ritualistic pieces of artwork did not originate in one place as the Ice Age receded, but sprung up at multiple centers around the same time. What led to this sudden development and flare of artistic or religious devotion is still not fully understood, but asks intriguing questions about our culture and beliefs.